French horns are dubious to be the first device that comes
to mind when asked to name a musical instrument. However, it is a fascinating,
beautiful, and unique musical instrument. Adds an eerie sound to any orchestra,
marching band, concert band, or wind ensemble for a soft, muffled sound.
Learning the historical foundations of French pipes is fun.
Looking back at their birth and development, one can understand how they
acquired their distinctive sound and characteristics. This also explains why they
are not even today the most famous musical instrument among musical groups.
Visit Brassnwind.com for more information on French horn and other similar
instruments.
Megaphones were the earliest form of horns. They were made
from a hollow branch or staff, and the player sang, spoke, or made sounds in
them to make a harsh sound that scared away evil spirits. Megaphones became the
first trumpets with one or two notes, but they made a terrifying sound. These
pipes were used during circumcision, funeral, and evening ceremonies.
It wasn't until the Revitalization, around 1550, that a harmonious
instrument was developed that looked more like modern French horns. It was a
closed spiral helical horn that was popular in Essential Europe. A hundred
years later, the ancestor of French alarms was built on a thin tapered tube
with two or more circular loops.
Until the 18th century, there is no evidence that French
horns were used exclusively for musical purposes with other musical
instruments, only for hunting in France, Germany, and Italy. Count Franz Anton
von Spork introduced them to Germany in 1681, and their inclusion in the German
orchestral score in 1705 helped them gain a place in the world of music. In
England, however, they were used primarily as an entertaining duo in gardens or
by the river, rather than for the prestigious right to play in an orchestra.
Until 1735, France limited its use to hunting.
In the early 1700s, musicians directed a wide-extended bell
upward, similar to the horn of a cornet, for French horns. Since the length of
the pipe varied with the required pitch, separate horns were required for each
fundamental change. The bending system, developed in 1715, solved this problem,
consisting of multiple tube rings that are inserted into the end of the nozzle
tube. This gave the player the ability to use any key.
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